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Water is life giving and life sustaining
in the Plains and the Desert of the Southwest. The vessel has a
voice. When it is cracked it dies, can carry no water and no longer
has a voice. The cultural identity of the pottery makers vary, but
often a "Spirit Line" or escape route is incorporated
in the design so as not to imprison the spirits thaat may inhabit
the vessel (or weaving.)
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Black Wedding Vase
Stock # NP-100
10"
Pricing Information
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| (Click on
Image for Enlarged View) |
| Signed on Bottom Frances
Salazar |
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Vase
Stock # NP-101
9" x 7"
Pricing Information
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| (Click on
Image for Enlarged View) |
| Spiritual figures, feather
and weather designs. Acoma 1970's. Signed on bottom Ruby Borien. |
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Vase
Stock # NP-102
6 1/2" x 6"
Pricing Information
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| (Click on
Image for Enlarged View) |
| Acoma vase graphic and feathers
in colored clays. 1980's Acoma traditional signed on bottom
B.L. Cerno |
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Tse Pe & Dora Black Pot
Stock # NP-103
4 3/4" x 3"
Pricing Information
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| (Click on
Image for Enlarged View) |
| Santa Fe Indian Market 1976
Red Ribbon winner, Signed |
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Maria Martinez Collection Pot and
Book
Stock # NP-104
3" x 3 3/4"
Pricing Information
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| (Click on
Image for Enlarged View) |
| Maria: The Potter of San
Ildefonso by Alice Mariott. From the Civilization of the American
Indian series. University of Oklahoma Press 1948. First Edition
book signed Maria Poveka. |
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Acoma Pot
Stock # NP-105
6 1/2" x 13 3/4"
Pricing Information
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| (Click on
Image for Enlarged View) |
| Marie Z. Chino dated 8-16-81
Acoma. Best of Division, Hopi, Zia or Acoma, Maria Chino, Fall 1981 |
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Red Clay Wedding Vase w/ incised
butterfly design
Stock # NP-106
8 1/2" h
Pricing Information
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| (Click on
Image for Enlarged View) |
| Signed Vangi Tefoya-Jemez |
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